Author Archive

Location, Location, Location

Amanda gets ready to paint flats

It seems so simple.  Get a place, dress it up, and shoot a film!! Nothing is that easy I guess, but location can be one of the biggest challenges of pre-production.  Now, Tights and Fights was designed to be easy on locations and have a flexible shooting strategy.   But we wanted to take it one step further for one of our new characters. It was extremely challenging to secure a place to build a small studio set at almost the last minute.   It looks like our best plans are all going to work out.

The big challenge here was that we need to re-enter the locations 3 times to complete the 181 episodes.  What do you do with large set pieces for three months while more work is done to make the series a success?

Step one done

Well, we’d like to thank Jason McQuarrie one of our talented Art Directors and his family for their hospitality.  And I also want to thank for Amanda Gougeon for going the extra mile this weekend to help Jason build and paint it, and our friends at Deville’s Workshop for getting a lead on a nice set of free flats.

One week until we start filming!!

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Captain Euchre vs. Trojan Borscht: the costume wars

Captain Euchre on the set of Ruby Sky PIEvil Trojan Borscht costume fittingYesterday was another super exciting day for us as Captain Euchre was invited to make a guest appearance on the highly anticipated tween web series Ruby Sky PI.   But timing was tight because we were out with Liana K putting together the costume for our feline heroine Leopard Woman, and doing a fitting of the Trojan Borscht costume also played by Scott Albert.

We want to thank our friends over at Ruby Sky PI for having us on set this week.  They have a really great production underway full of positive energy and vibrant talent.

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Join us on Twitter

https://twitter.com/GopherXdotnet

We have big things coming for twitter in the world of Tights and Fights.  Stay tuned for details.

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Our Day with the Queen of Cosplay

We are very fortunate to have Liana K the famous cosplayer join our team to create the costumes for our production.  I didn’t even know what cosplaying was a short time ago and now its all around me and its very fascinating subculture.  Tights and Fights is a project that I really think will connect with this community and that was made clear yesterday as Scott Albert, Jeremy Knight and I piled into Liana’s car to visit a costume shop in Kitchener where costume supplies are more reasonably priced.   We came back with some very funny stuff.

On the way back we stopped into Milton to speak with the super talented Adam Smith of Sword in the Stone Crafts, about the technical needs of the costume.  The conversation that ensued was so enjoyable, as Adam seemed to really get what we were going for and shared Liana’s love of cosplay.  There is some amazing stuff in store for the viewers of the show, but you’ll have to wait to see it on the screen.

All in all, we roughed in most of Evil Trojan Borscht and Major Faultline’s costumes.  The Plumber was never going to be complicated.  So that leaves Leopard Woman and Fantabulous Gal for later this week. And away we go…

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IPF Meet-up Talk: Building and Engaging an Audience

As part of the IPF web series program each team was asked to prepare a short 5 minute presentation from a list of topics.  We presented a brief overview of Audience Building and Engagement, with a dash of monetization for good measure.  Here is the video of our presentation and the text notes for anyone who wants to follow along.

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How do you get your audience

  • don’t fight google – google clearly states the type of content they want to see, which is basically “relevant high quality and current content which satisfies search queries”. Watch and follow the advice in the State of the Index Addresses, I posted the link in the linkedin group.
  • create and regularly post unique content – a challenge for web drama which almost always has a limited release. Think of ways to deliver your content to new audiences over the long term.  This might mean additional content in some form.
  • commit to website best practices – avoid blackhat tactics and follow google’s stated best practices because they are carefully constructed to increase user acquisition, retention and engagement by improving the user experience.  These are based on massive analytical analysis.
  • provide value rich opportunities – “free” as a concept isn’t a very value rich opportunity.  Yes it brings in viewers, but consider providing a little more.  Perhaps offer a newletter or ebook if the user registers.  Perhaps create a contest with some small simply prize and invite your users to participate.

How do you engage your audience

  • understand the segmentation in your audience – your audience isn’t segmented as “male 18-25” or “female 35-50”  its segmented by community, social status, religion, social interest, technological literacy, occupation, geographic location, and countless more.
  • bring your content to the segmented community – communities form around internet destinations like niche social networking sites (twitter, flickr, facebook, youtube, myspace, linkedin, etc), blogs, forums, games, chat rooms, bookmarking sites, and many more places on the web today. Also bring your content to as many platforms (on and off line) through a variety of delivery portals.  Bringing select content to a destination creates a personal connection with users of that destination, some of whom will seek out more content on your site.
  • leverage web 2.0 offerings to create simple user interactions – offer users an opportunity to influence the outcome of their, and their fellow viewer’s experience. This could be as simple as well moderated comments.  The most powerful web 2.0 video tool available to producers, are the Youtube overlay tools which allow you to choosing what video plays next depending on a response or choose what action a character takes, as well as provide language and disability accessibility through subtitles.  Web 2.0 destinations offer all kinds of Transmedia tools to enhance your stories

How do you expand your audience

  • internet partnerships – everyone online is looking for the same things; exposure and revenue.  By exposure I mean traffic to a site or some other piece of content, and revenue from any means possible.  You can easily barter for either by offering the same in return, exposure or a revenue opportunity.
  • web and affiliate marketing – there are a number of formalized internet partnerships you can use.  Adwords basically formalized and standardized internet advertising contracts for both parties.  But there are others similar networks that run affiliate marketing programs.  These are places where you can offer a percentage of sale in exchange for exposure.
  • email capture and utilization – construct your advertising campaigns to provide multiple marketing opportunities.  Perhaps you have a special episode that you can gate, then open it up to people who simply register.  These are the email addresses of your fans.  Then when you have a new campaign you can contact these fans and perhaps get them to help you market your product. For example, send an email that says “Hey check they new Ruby Sky facebook page and share the show with your friends!”
  • platform adaptation – In the grand scheme of things the numbers we are talking about for viewership aren’t very big.  The problem of the internet is that is a very noisy place.  People run to the shelter of restricted content platforms like facebook, iPhones, Android etc.  The reality is that there are thousands of platforms for content, and the smaller platforms provide still very sizable opportunities to build an audience and generate revenue.

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Starting an Office from Scratch

The hallway outside our new office.We’ve been producing content for over 5 years but this is the first time we’ve had the opportunity to move in and set up as an office.  We work online mostly in the cloud provided by google apps and Microsoft file-sharing, but the sheer size of this production really requires a place for us all to come together and work.  Also for volunteers its difficult to bring people into our homes to help and learn.

Scott has had an office for some time, and its been very useful, but he still needs a place to be writing scripts so we needed to find a place in a part of town we’d actually like to go to and could afford.  We really got lucky with to find a place right down town at The Launch Pad which provides affordable short term offices to indy papers and film makers.  The space boasts  a shared boardroom, kitchen, washrooms, and internet.

So our move-in day is tomorrow, and most of my apartment will be moving in with us.  I have a dual system, dual display audio/video focused computer setup.  That’s all moving, and the desks they are on will go too.  All I’ll be left in the apartment will be a old mac laptop, a LCD monitor and partially broken TV.  Hopefully I can keep up with my online tv habit, although I haven’t tried it.

Its an exciting time for sure.

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Winning the Money for the First Time

When you are just starting out as a producer you basically just have to get some stuff actually made.  That’s the first hurdle.  Then maybe you work toward making something good.  Then you are going to want to start doing projects that are larger than your credit card limit.  That’s been the hurdle Scott and I have been at for the past few projects, but being a recipient of the Independent Production Fund has even bigger implications for my life.  It has given me the opportunity to produce full time for the first time since I was on EI in 2002.

So this Monday marked a major milestone for me as the beginning of the first week free from the hum-drum of office life.  No more commute to Scarborough, no more coffee room pleasantries.  Although I might buy Courtney a cake for being awesome (its time to form our own little rituals), those office antics that have found their way into our past shows are over with for now.  Well it didn’t start all that different, in fact that snooze button was even more inviting than usual.  I did enjoy eating at home and running my own schedule, didn’t really get out except for a trip to the store so that’s some thing I have to work on.  I love the skype calls with Scott and Courtney, where we all look at the same documents and generate a real feeling of moving forward.

Scott, Courtney and I have very different backgrounds so we have very different perspectives.  Unfortunately I’m the one handling the financial realities and repercussions of our productions, and that hasn’t changed in this project.  The big difference…lots of extra zeros.  Its funny how things change when there is a larger pool of money.  We never before ventured into E&O insurance, which a requirement of the IPF and is high on our minds now as because its a large line item in a budget that needs to cover a massive project.  Otherwise we are still working at a fraction of television industry standards.  The Tights and Fights: Ashes project will produce content at an estimated cost of under $300/minute, a far cry from both the $10′s of thousands per minute of traditional television fiction, and the $100 per minute target of our previous projects.

I wanted to write a little about the process of applying to this grant in particular, because I actually found it very helpful and would recommend this fund to all developing producers.   There were two stages in the application process.  The first one asked for an impossibly short 6 page outline of the project.  Smart, because who wants to read 166 hundred-page applications?  From that a committee narrowed it down to 26.  Of that they awarded funding to 11 teams.  That two stage process and meetings we had with them really helped us form a solid proposal.

Anyway, all in all…I could really get use to this.

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A Vampire Update

A lot of people have been asking about the series we shot in the fall called Job Review with a Vampire, which is a 6 episode comedy about a vampire navigating office politics.    The show is basically done, it just needs a some audio work (sound effects and music) which we will get to as soon as was we can. We have signed on with Mean Dog Howl for the music, check out their tracks.

So when can you all see it?  Well that might take some time because its first distribution window will be on broadcast, but don’t worry it will be online eventually.  Stay tuned for more details.

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It was the Beginning of the Beginning

With the hot summer sun beaming down on us, Scott, Courtney and I can hardly contain our excitement about the long awaited new season of Tights and Fights which has been graciously funded by the Independent Production Fund.  For me it was the beginning of the beginning because to free up the time needed to complete the project I needed to quit my day job and for the first time will be a producer full time.  I had learned a lot at ITWorldCanada.com including how to win at the advertising game, how to implement robust revenue generating systems and the pitfalls of corporate video delivery.  Now its time to put all that into practice for our own sites.

The gamble is clear though.  We don’t yet really know when the money will start flowing and are trying to make plans that move us forward but remain flexible on time and money.  Tasks at hand include preproduction breakdowns, organizing advertising opportunities, hiring key crew, and starting the construction of costumes which is one of our main upfront expenses.

We are all going to try to post regularly as we go into production, to stay connected to our share holders but to also share the experience with other web series producers who may be looking at applying for the program next year (should the program be renewed).  So stay tuned for more.

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GopherX Recieves Funding for More Superhero Mayhem

we-want-youtThink you got problems? Try going through life wearing tights and a cape. Oh yeah, and then there’s the whole saving the world part…

The Independent Production Fund has chosen season two of Tights and Fights to receive web series production funding.  The ambitious 180 episode series will have more characters, more stories and more crazy town vigilante capers.

Production will take place later this summer for a fall release.  Stay tuned for details.

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